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Suspended Reason

I first read A.D. Jameson’s criticism on litblogs like HTMLGiant and Big Other, where he wrote about the New Sincerity, Russian formalism, and cinema. I was interested back then in irony and sincerity, especially because I was in an environment where a lot of people I knew were doing molly on weekends, were peripheral to a hippie-rave subculture that was heart-on-its-sleeve.

On Easter Sunday, in true HTMLGiant fashion, we got to revisit some of these topics over GChat, touching on experimental film, Nicolas Winding Refn, Terrence Malick, and George Lucas. The first part of this conversation, which focused on indie lit and the avant-garde, can be found here.

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Suspended Reason

I first read A.D. Jameson’s criticism on litblogs like HTMLGiant and Big Other, where he wrote about the New Sincerity, Russian formalism, and cinema. I was interested back then in irony and sincerity, especially because I was in an environment where a lot of people I knew were doing molly on weekends, were peripheral to a hippie rave subculture that was heart-on-its-sleeve.

On Easter Sunday, in true HTMLGiant fashion, we got to revisit some of these topics over GChat, touching on the blog’s potential as a format, the exhaustion of the avant-garde, and the performative aspect inherent to sincerity. The latter half of our conversation, which focused on film and fandom, will be published in a separate post.

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